In February, 2017, she attended a ten-day art retreat in Tasmania with world-renowned American pastel artist, Richard McKinley, and her love of soft pastels was ignited.
Here she worked en plein air, learning to appreciate the subtleties of light, colour and contrast in the landscape.
“I came home truly inspired and consider myself privileged to have made my first ventures into soft pastels with one of the best pastel artists in the world, who also happens to be the most generous and passionate teacher.”
Catherine attended workshops with several Australian pastellists in 2018, at the first Australian Pastel Expo in Caloundra, Queensland.
This was followed by a week-long workshop with American artist and former president of the International Association of Pastel Societies, Liz Haywood-Sullivan, where some new pastel techniques were introduced.
In 2019 Catherine joined Artable and Richard McKinley in Tasmania for another 10-day retreat where her pastel skills were further developed.
When Catherine was preparing for her retirement at the end of 2020, she knew that art would be a focus and that she’d be spending time in her studio, attending the occasional art workshop or retreat, and possibly exhibiting in SALA, but she had no idea of the opportunities that waited just around the corner.
In a serendipitous moment, a school colleague mentioned that a new gallery was opening somewhere in the Barossa, and they were looking for artists.
The Monday after school finished, Catherine met Adele Butler, whose dream was to open a gallery in what was originally the Keightley Watchmaker and Jewellery shop in the main street of Angaston.
Without hesitation Catherine joined the Barossa Art Collective and her new life as an artist began.
Through her connection to the Angaston gallery Catherine was invited to join the Arts Collective Clare Valley.
Her work can also be found in The Art House at Clare.
She volunteers in both galleries several days a month where, in quiet moments, you may find her making gift cards, painting in watercolour, or sketching.